Transcultural transformation in cinema
https://doi.org/10.26425/1816-4277-2021-10-55-58
Abstract
The article presents a study of transcultural transformation in cinema, considering the filmmaker as a transnational figure. This is the gradual creation of a cinematic map based on affinitive transnationalism, which integrates forms of expression that are now considered archetypal. Members of the “imagined” cultural community construct a mosaic of shared references that transcend national boundaries. Based on this concept, a study of the organisational practices of filmmaker Carlos Saura has been conducted. This concept was the basis for a study of the organisational practices of director Carlos Saura, who in his last phase of his career focused on making films that offer samples of music, dance and unusual storytelling (based on the principle of “photography”) associated to the Iberian and Latin American space. This creates a special definition of the musical and artistic genres, combining traces of a documentary style influencing the authenticity of the representations depicted, with a strong aesthetic impulse emphasising the organisational and artistic nature of these representations. This model of transnationalism takes the form of reflection of trans-Iberian dimensions.
About the Author
Yu. V. Vorontsova
State University of Management
Russian Federation
Russian Federation
Cand. Sci. / PhD (Econ.),
Moscow
References
1. Arakelyan A. M., Vorontsova Yu. V. Management in the field of cinema and television: tutorial, Moscow, GUU Publishing House, 2021, 138 p. (In Russian).
2. Vorontsova Yu. V., Zagoruiko V. A., Sinakh A. I. Formation of a virtual infrastructure in an “Imaginary Museum”, Collection of scientific papers of the 1-st All-Russian Scientific and Practical Conference “Actual directions of increasing business profitability: problems, methods, solutions – 2019ˮ, Moscow, GUU Publishing House, 2019, pp. 93–95. (In Russian).
3. Vorontsova Yu. V., Mazur A. Yu. Using the principle of “photography” in cinema, Vestnik universiteta, 2021, no. 9, pp. 28–33. (In Russian).
4. Sergeeva T. S. Flamenco in the film creation of Carlos Saura: traditional art in the context of media culture (on the example of the film “Carmen”, Art & Culture Studies, 2013, no. 4 (9), pp. 1–14. (In Russian).
5. Carlos Saura: an exemplary career [Carlos Saura: una trayectoria ejemplar], Lefere, R. (ed.), Madrid, Visor Libros, 2011, 296 p. (In Spanish).
6. Díaz López M. Approach to the international distribution of Spanish cinema at the beginning of the XXI century [Aproximación a la distribución internacional de cine español en los inicios del siglo XXI], Studies in Spanish & Latin American Cinemas, 2015, no. 12 (3), pp. 255–277. https://doi.org/10.1386/slac.12.3.255_1 (In Spanish).
7. Transnational cinema in a global North, A. Nestingen & T.G. Elkington (eds.), Detroit, Wayne University Press, 2005, 392 p.
Review
For citations:
Vorontsova Yu.V. Transcultural transformation in cinema. Vestnik Universiteta. 2021;(10):55-58. (In Russ.) https://doi.org/10.26425/1816-4277-2021-10-55-58
Views:
510
Email this article 