Top.Mail.Ru
Preview

Vestnik Universiteta

Advanced search

Design formation of a transmedia project

https://doi.org/10.26425/1816-4277-2023-12-240-247

Abstract

   The modern media sphere is changing under the influence of socio-cultural, technical, technological and media processes. The article studies such a phenomenon of the media sphere as transmedia, which is characterized by the nonlinearity and hybridity of audiovisual forms. It is a new key feature of the media sphere and makes significant changes to screen art. As a result of the research, foreign theory and practice of forming the design of transmedia projects have been studied. The possibilities of using foreign experience in Russian conditions have been determined. Recommendations given for conducting a transmedia project in various areas have been, including improving the transmedia narrative in its basic concept using a systematic approach. The developed recommendation and methodological base for the formation of the design of transmedia projects has been practice-oriented. This method is aimed at solving problems, at the practical implementation of this approach to the implementation of transmedia projects. The recommendations demonstrate the need for narrative knowledge within the framework of a transmedia narrative, allowing users to engage and be motivated by a transmedia narrative, rather than simply distributing content through media channels. The possibility of using classical elements of an integrated approach to the formation of the design of a transmedia narrative in the transmedia approach has been investigated.

About the Authors

A. М. Arakelyan
State University of Management
Russian Federation

Artur М. Arakelyan, Dr. Sci. (Econ.), Head of the Department

Management in the Field of Culture, Cinema, Television and Entertainment Industry Department

Moscow



Yu. V. Vorontsova
State University of Management
Russian Federation

Yulia V. Vorontsova, Cand. Sci. (Econ.), Assoc. Prof.

Management in the Field of Culture, Cinema,
Television and Entertainment Industry Department

Moscow



References

1. Sokolova N.L. Transmedia and “interpretive communities”. International Journal of Cultural Studies. 2011;3:16−21. (In Russian).

2. Miller C. Digital Storytelling: A Creator’s Guide to Interactive Entertainment. Boston: Focal Press; 2004.

3. Lambert J. Digital Storytelling Cookbook and Travelling Companion version. Cambridge: Digital Diner Press; 2003. P. 9–19.

4. Vorontsova Yu., Shmakova A. Conceptual foundations of the formation of a trans-media project: monograph. Moscow: Rusains; 2023. (In Russian).

5. Shmakova A. Formation of transmedia projects. Actual directions of increasing the profitability of social and business projects-2023: Materials of the 3<sup>rd</sup> All-Russian Interuniversity Scientific and Practical Conference with international participation. Moscow: State University of Management; 2023. Pp. 167–168. (In Russian).

6. Long G.A. Transmedia Storytelling − Business, Aesthetics and Production at the Jim Henson Company: Master Thesis. Cambridge: Academia; 2007.

7. Gambarato R. Design of a transmedia project: theoretical and analytical considerations. Baltic Screen Media review. 2013;1:84–85.

8. Pratten R. Getting started in transmedia storytelling: a practical guide for beginners. Cambridge: CreateSpace; 2011.

9. Sumskaya A. Theoretical and methodological foundations of producing trans-media projects. Bulletin of Chelyabinsk State University. 2015;5(360):337–343.

10. Jenkins H. Cultural logic of media convergence. International Journal of Cultural Studies. 2004;7(1):34–35.


Review

For citations:


Arakelyan A.М., Vorontsova Yu.V. Design formation of a transmedia project. Vestnik Universiteta. 2023;(12):240-247. (In Russ.) https://doi.org/10.26425/1816-4277-2023-12-240-247

Views: 302


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 1816-4277 (Print)
ISSN 2686-8415 (Online)